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Mentoring

Together with you, we want to make your project idea a reality. We will be on hand to advise you, work with you to develop the project applications for funding and support you during the implementation and realisation.

Contact Questions?

These are the projects we are currently supporting:

Beyond Labels

BEYOND LABELS addresses how negative portrayals of specific neighbourhoods influence the young residents living there in their self-perception and their personal development. Together with our team, young adults from the supposed ‘hotspot’ of Bonn-Taschenbuch will examine the external circumstances that influence their identity and develop the performance BEYOND LABELS. In it, they interweave biographical scenes with photo and video content that they created. The performance will be presented as an artistic neighbourhood walk. The project thus addresses topics such as social justice, inclusion, social mobility, identity and stereotyping. It explores how external circumstances and labelling influence the self-perception and personal growth of young adults. The project brings to light the often overlooked experiences of young people from socially disadvantaged neighbourhoods while showcasing the creative energy and artistic potential that exists within these communities.

Natalie Wittmann

Natalie hat sich mit ihrer Projektidee BEYOND LABELS im April 2023 bei uns beworben. Neben ihrem Masterstudium in Economics ist sie auch als Fotografin und Videografin tätig. In ihrer Heimat Bonn-Tannenbusch ist sie außerdem im Jugendzentrum aktiv und leitet dort unter anderem Tanzkurse für Kinder.

20.03.2024
Application for funding at the Deutschen Stiftung für Engagement und Ehrenamt
Waiting for the green light

We are currently on acquiring the funding for the project.

PixieAllies

PixieAllies is a participatory project for young adults with and without experience of migration or flight on the topic of digital civil courage. Together with our partners, the nationally renowned institutions ichbinhier and HateAid, we regularly organise workshops in which we develop artistic strategies against hate speech. Online, right-wing populists seem to dominate political discourse. A small group – ‘trolls’ – spread racist content and stir up hatred against migrants. Confronted with the mass of right-wing content, many users feel powerless and withdraw from online discussions. But what happens if we leave the internet to the haters? In PixieAllies, participants train their digital civil courage. They become a counter-movement, ‘Pixies’, who stand by those affected by hate speech. Through their high level of activity, right-wing users create the impression that they represent the opinion of the majority. Undecided readers in particular are influenced by the right-wing world view. Our project develops creative formats that make an important statement on social platforms: Haters are loud – but in the minority.

Camilla da Silva

Camilla studied literature and cultural studies in Bonn and Paris and focussed on feminist theory and emancipatory art during her studies. Through an internship in the cultural programme department of the Goethe-Institut São Paulo in Brazil, she gained experience in the field of intercultural cultural work. Among other projects, she develops the #PixieAllies workshop series for the beautiful minds, in which participants discover creative strategies against hate speech online. Since October 2023, she has been a student of the Master’s programme Gender & Queer Studies at the University of Cologne.

02.10.2023
Project begin
First workshop with HateAid
Workshop "Joy in Resistance" with film maker Fabiana Fragale
Collages workshop "(Re)Building Digital Spaces" with Trixy Royeck

The first workshops went very well and we are now in the planning stage for further creative meetings. Our aim is to organise a large symposium in Cologne after the summer and offer a wide range of workshops with different artists and networking opportunities over the course of a weekend.

Frequently Asked Questions:

What do you mean by project idea?

By this we mean the idea for a theatre project, a film, a dance or music performance or even the idea for a series of workshops or a podcast.

How far along should my project idea be?

Your idea does not need to be fully developed. Your ideas can be very specific or still very vague. During the process, we will work together to concretise your project and flesh it out for the project applications.

What else do I need to consider concerning my project idea?

Your project idea and your plans must be in line with our values and our profile. Have a look around our website and see what kind of projects we have done so far. Hopefully this will give you a good idea of what we stand for. We’re not a theatre collective that puts on a classic Hamlet with professional actors. But for example a version of Hamlet with young non-professional actors who had to experience the death of a parent would really speak to us.

What happens once I have submitted my idea?

We discuss every idea in detail as a team and respond to every email. If your project idea suits us, we would like to get to know you and discuss the further process.

Will you finance my project?

No. We support you in organising the funding for your project. This is done, for example, by applying to cultural offices, foundations and other sponsors.

Will you take on the realisation of my project?

First of all, this depends on what role you want to play in your project. It’s your idea! Do you want to be on stage and act? Do you want to direct? Do you want to write the play, the film or the podcast? Or maybe you want to be behind the camera and edit the film at the end? There are many possibilities. You and your idea take centre stage. During the process, we’ll work out together how best to divide up the roles.

What does processing mean?

Once we have secured funding for your project and the project has been realised, the funding must be settled with the sponsors at the end by means of proof of utilisation documents. But don’t worry! We are now very experienced in this and will help you to process everything correctly.

Contact:

Write us an email with the subject ‘Participate’.

Magazine

Joan Didion

We tell ourselves stories
in order to live.

BUTTERFLY

“What I find really sad here is that people often don’t believe in their dreams. You have so many possibilities here, so many opportunities, but sometimes I get the impression that many people don’t appreciate that at all.”

– Yusra Mardini

COMING SOON.

Premiere: End of February 2026 at the Theater im Ballsaal Bonn

Directed by: Olja Artes

ICH, SAMSA

What’s
happened to me?

DRE REICHSBÜRGER

Become human again.

#PIXIE ALLIES

It terrifies me that big social media companies, like Meta and X, can’t manage to protect their users from digital violence. The internet should not be a room with no regulations! I wonder how a cyber space utopia with democratic and creative potential at the center would look like.

 

#PixieAllies is our ongoing participative project about digital solidarity.

 

You can find latest updates on our social media.

 

– Camilla da Silva

DER UNBEUGSAME

I love the ‘jester’s privilege’. Parodying the errors of important people without being reprimanded – I am really drawn to that idea. I have always admired the great jesters for their courage to dance on the razor’s edge. I sometimes wonder how Karl Küpper would have looked at today’s polarised public. Would he have chickened out? No. He would probably have stood in front of the mirror, made a big grin, put on his dishevelled hat and said to his distorted reflection: if I don’t do it, nobody will.

 

 

– Stefan Herrmann

 

 

 

MARO KHER

There’s a room available in the city of Cologne and soon the fight for this rare commodity begins. Who has the greatest right to use this space? From the perspective of Cologne’s Sinti:zze and Romn:ja, we take a look at social negotiation processes in urban space. Who is granted how much space in the city of Cologne? And what does it tell us about our community when social movements have to assert themselves against each other?

News

17.12.2025
Portrait of Hala Kadoura in the Bonner General-Anzeiger

Our wonderful Hala Kadoura was featured in a major article by journalist Judith Nikula in a special edition of the Bonner General-Anzeiger marking the tenth anniversary of Angela Merkel’s famous phrase “We can do this!”. Hala first appeared on our stage at the age of 16 and initially took part in several productions as a participant. After completing her Abitur, she joined our team.

You can find the article here (behind a paywall).

Photo: © Judith Nikula

 

The Beautiful Minds is a theatre collective from Bonn. In our productions, we focus on participatory and biographical theatre with the experts of everyday life: the participants bring in personal stories from their life realities and thus play a decisive role in shaping the performances. We work in a very process-oriented way and want to help the participants in our projects to become experts of their own specialities. True to the motto: everybody has a beautiful mind.

At the centre of our work is the development of new aesthetic forms that deal with the dialectic of ‘staged authenticity’. Supposed authenticity and traditional role-playing are juxtaposed. We pay particular attention to the development of innovative formats for the role of the audience. In this way we want to help create a theatre for the society of tomorrow.

More about us

Team

Stefan Herrmann
Director and producer

Stefan is a theatre director and has been developing participatory and biographical theatre projects on socially relevant and controversial topics for more than ten years, always with the aim of bringing about transformation. With DRUGLAND (2018), he let the audience experience the real conflicts of public space up close in a theatrical tour with professional actors and people dealing with addiction at Cologne’s drug hotspot Neumarkt. In 2017, his production of MICHAEL KOHLHAAS was awarded the nationally renowned Monica Bleibtreu Prize.

Juliane Hendes
Dramaturgy and text

Juliane Hendes was born in Rostock and studied dramaturgy at the Leipzig University of Music and Theatre. She worked at the Düsseldorfer Schauspielhaus as an assistant director (with A. Eisenach, F. Rothenhäusler, D.D. Pařízek, N. Erpulat, V. Lösch, among others). During this time, she also worked as a dramaturge on the production Die Zofen and directed her own stage version of Albertine Sarrazin’s Astragalus. Since 2016, she has been working as a freelance dramaturge and author at the Sophiensäle Berlin, the Kammerspiele Munich, the Nationaltheater Mannheim, the Landestheater Marburg and the Düsseldorfer Schauspielhaus. She realised her theatrical text Krieg. Mein Krieg as a radio play version. In 2021, she was awarded the Performing Arts Prize of Düsseldorf. As an author, she is associated with the independent group Pièrre.Vers. Her text DUNKELDORF (2023) in the collective’s production made it onto the shortlist of the Berlin Theatertreffen 2024.

Nora Giese
Dramaturgy and conception

Nora has a degree in dramaturgy and, after studying at the Bavarian Theatre Academy August-Everding and the Ludwig Maximilian University in Munich, started her career with an engagement at the Berliner Ensemble under Claus Peymann. After a two-year period as an assistant, she worked there as a dramaturge with directors of the old guard such as Thomas Langhoff, George Tabori and Luc Bondy. She also worked at the Staatstheater Stuttgart and the Bonn Theatre. At the same time, she taught drama students at the Alanus University of Arts and Social Sciences. She has been working freelance since 2010 and co-founded the beautiful minds.

Camilla da Silva
Project Management

Camilla studied literature and cultural studies in Bonn and Paris and focussed on feminist theory and emancipatory art during her studies. Through an internship in the cultural programme department of the Goethe-Institut São Paulo in Brazil, she gained experience in the field of intercultural cultural work. Among other projects, she develops the #PixieAllies workshop series for the beautiful minds, in which participants discover creative strategies against hate speech online. Since October 2023, she has been a student of the Master’s programme Gender & Queer Studies at the University of Cologne.

Annusch Artes
Social Media und Projektassistenz

Annuschka studierte Slavistik und Islamwissenschaften an der Universität zu Köln. Bereits während des Studiums nahm sie als Regieassistentin die Arbeit in der freien Theaterszene auf und führt diese bis heute fort. Seit einigen Jahren unterstützt sie uns bei den Proben und kümmert sich außerdem um die Bereiche Organisation und Social Media.

Natalie Wittmann
Fundraising and videography

Natalie takes care of fundraising and is responsible for researching potential sponsors and writing project proposals. In addition to her Master’s degree in Economics, she also works as a photographer and videographer. In her home town of Bonn-Tannenbusch, she is active in the youth centre, where she runs dance classes for children.

Hala Kadoura
Social media and research

Hala came to Germany from Syria in 2016. She graduated from high school in 2020 and has been studying molecular biotechnology in Aachen since October 2023. Between 2020 and 2023, she was a participant in our ‘Mosaic’ project and performed on stage in the world premiere of Karosh Taha’s ‘The Crab’s Migration’. She has been a permanent member of the beautiful minds team since May 2023.

Veronika Witlandt
Stage and costume design

Veronika was born in Nepal and grew up in Düsseldorf. She is a freelance stage and costume designer for opera and theatre. Her studies at the Kunsthochschule Berlin Weißensee took her to Berlin in 2008. This was followed by two years as an assistant at the Deutsches Theater Berlin. She also worked as an assistant in Leipzig, Baden Baden, Stuttgart and Amsterdam. Her own work has taken her to Rennes, Luxembourg, Schwäbisch Hall, Berlin, Zurich, Düsseldorf, Budapest and Cologne. Since 2017 she has been living in Duisburg with her family.

Trixy Royeck
Stage and costume design

Trixy is a scenographer, illustrator and designer. She is particularly passionate about theatre, for which she has been designing stage sets and room installations, costume designs and video works for drama, musical theatre and independent productions in NRW since 2006. She was a scholarship holder at the Bayreuth Festival in 2008, at the International Forum of the Berlin Theatre Meeting in 2010 and as a finalist in the international opera competition Ring Award 11 in 2011.

She is also passionate about swapping and sharing books and, in this context, promoting reading among children. Twenty years ago, she developed and designed the Open Bookcases for the Bonn Community Foundation, which now enrich cities all over Germany. She also illustrates picture books for children, which are published by Edition Michael Fischer.

Thomas Mörl
Production manager

Thomas has been working as a freelance lighting and sound technician for the beautiful minds since 2022. In 2002 he completed his training as a painter and stage designer. Since 2007 he has been working as a lighting and sound technician at various independent theatres in Cologne.

About us

The Beautiful Minds is a theatre collective from Bonn. In our productions, we focus on participatory and biographical theatre with the experts of everyday life: the participants bring in personal stories from their life realities and thus play a decisive role in shaping the performances. We work in a very process-oriented way and want to help the participants in our projects to become experts of their own specialities. True to the motto: everybody has a beautiful mind.

At the centre of our work is the development of new aesthetic forms that deal with the dialectic of ‘staged authenticity’. Supposed authenticity and traditional role-playing are juxtaposed. We pay particular attention to the development of innovative formats for the role of the audience. In this way we want to help create a theatre for the society of tomorrow.